January 18, 1917
You can read the first part of the entry here.
There were numerous conversations going on. Not much of a talker myself in social situations like these, I had a tendency to dip in and out of conversations that didn’t require an effort from me to keep the momentum. That wasn’t a problem here, because most of the men of the club were journalists, writers, poets, and artists. “Men of the pen, pencil, and brush”, they’d like to call themselves, and they’ll talk themselves to their own graves.
“Victory Gardens!” The words jumped out from the buzz. They came from Jim MacDonald. He was having a lively debate with Rufus Hathaway, the club’s librarian. What I had discerned from the conversation was that Jim was still upset that the club decided not to have their Victory Garden club at his farm in Thornhill, but instead in York Mills. Jim moved north so he could farm his own vegetables, but with his poor health, and his wife’s too, it was more difficult than they had expected. He needed help gardening and was hoping to get it from the club. That was not the case.
Other topics were buzzing about the room: the rumour of Orville Wright making flying boats on Georgian Bay (he bought an island there this past summer, Dr. MacCallum told me), the immorality of Hun submarine warfare, the benefits of TB as a cleansing disease, and “Toronto the Beautiful against Toronto the Scientific”. Someone was bemoaning the impending completion of the the Bloor St. Viaduct. Someone from Rosedale, assuredly.
I sat down by the “Artist’s Table.” It didn’t have that official name, but whenever the artists came from lunch, they sat at the same table near the back far away from the fireplace. The tables closer the fireplace were reserved for the more established men of stature. Where we sat, court room still felt like a cold storage room. I sat with Bill Beatty, Curtis Williamson, and Fred Varley on the other side. Bill was president of the club once, but after his office ended, he too was relegated to the cold storage section of the club. The dinner was good, as best as what could be served in wartime to eighty hungry men at once. Boiled mashed potatoes, roast beef, carrots, turnip, and apple sauce. Dessert was apple crumble and tea and coffee. Nothing of the alcoholic sort was served due to the recent Temperance provisions, but several bottles were being furtively passed about. The “club medicine” as the men called it. Now I understood why the water glasses were never filled. When the club medicine came my way, I filled my glass and noted it was a mail-order whisky from Montreal. Jackson’s from Montreal. I should move to Montreal.
After dinner, the cigar smoke began to thicken further. Under shoulder height, the air was still clear to see through. About shoulder height, the smoke was becoming as thick as the approaching snow pillars I’d see in the Park in the spring and fall. The dim light from the street came through the tall narrow window like a ray of divinity and cut a solid beam the room. Only the fireplace, with its roaring fire, threatened the dominance of the divine ray of light. Through the thick smoke (or snow pillars), I could see Lawren Harris’s snow paintings on either of the fireplace. Harris gave them to the club, because, during his fascination with snow phase, he had a numerous canvases that looked pretty much the same and he decided to give two away. Beneath one of his paintings was a new instalment. I didn’t recognize it but from what I could make out in the dim light it was a recently deceased figure adorned with garlands and flowers. I found the painting particularly hideous, but given the sentiments of the time, it was a popular theme to depict dead people in glorious circumstances. I couldn’t help but think of the Varsity War Supplement I saw the other day. You had to be dead to get on the Roll of Honour – the pages with the fancy flowers and designs. If you were still alive, your page was mundane with crammed rows of photographs.
With the dinner completed, and the plates and cutlery whisked away by some unknown force, Dr. MacCallum announced the after-dinner program.
First, a poetry reading and talk, by Duncan Campbell Scott (who came down from Ottawa for this special occasion).
Next, the unveiling of the club portrait, by Sammy Sampson (his name is John Ernest, but everybody calls him ‘Sammy’).
Finally, a mystery painter speed-painting competition to round out the evening. I had heard the meat-carving contest at the last dinner was a rousing success, but a speed-painting contest, that was something new.